FIRST FEMALE ASCENT of 'China Doll' (5.14a R) | ft. Heather Weidner
2017 · 20 min · Trad, Documentary · Louder Than Eleven
The film follows Heather Weidner’s first female ascent of China Doll, a 5.14a R traditional route in Upper Dream Canyon, Colorado. The route’s 5.14a grade combined with an R (runout) rating makes the climb as much a test of fall tolerance and mental control as of finger strength; the film spends time on both the climbing moves and the logistics of committing to insecure pro on steep rock. Director Jon Glassberg and writer Caroline Treadway structure the short around the ascent and a parallel personal narrative: Heather’s struggle with self‑confidence, gender expectations, and her relationship with husband Chris Weidner, who appears in the film. The filmmakers also note the ascent as the first female ascent of China Doll and present it as, in their words, placing Heather among the very small number of women to climb 5.14 trad. The piece is useful for viewers interested in how high‑end trad climbing and personal psychology intersect rather than for a how‑to on the moves themselves.
Review
A film about psychology as much as movement, and it is the rare send film that admits fear is the subject. Heather Weidner makes the first female ascent of China Doll, a 5.14a R trad route in Upper Dream Canyon, Colorado, on June 15, 2016, after roughly a year of effort. At the time the route had reportedly seen fewer than ten ascents despite sitting 25 minutes from Boulder, and she became only the fourth woman to climb 5.14 on gear.
This is for climbers who want to see how a technical crux and a runout combine, and for anyone interested in how self-confidence and gender expectations sit inside a hard project. Jon Glassberg directs and Caroline Treadway writes, and Chris Weidner appears as husband and partner. Skip it if you want a how-to on the moves. The film spends its time on the commitment to insecure pro, not the sequence.
What works is the parallel narrative. Heather's doubt is treated as part of the climb rather than a side story, and the R rating becomes legible as a mental problem. What it gets wrong is that twenty minutes of a year-long effort compresses the falls, and on a runout route the falls are the point.
E11, the film on Dave MacLeod and Rhapsody, is the fullest treatment of fear on gear the site has. China Doll is the American version, shorter and more personal. Both are honest that the hardest part is not the crux.
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